• General Summary
    Cam M. Roberts
    Cam M. Roberts
    Director, Actor, Designer, Poet, Literary Manager. WFU Alumnus '12: BA Theatre/English. Samuel Beckett & Harold Pinter | #SocialMedia | http://xeeme.com/CamMRoberts
    Winston-Salem, North Carolina
    Confirmed Profile
    Also known ascammroberts, hanzosword12, CamRoberts_wfu
    Date of birth08 January 1990
    LocationWinston-Salem, North Carolina
    GenderMale
    Professional Status
    Freelancer
    Listening for opportunities
  • Contact Information
  • Biography
    Actor, Director, Designer, Poet. WFU Alumnus '12: BA Theatre/English. NCSSM Alumnus '08 | #SocialMedia #SamuelBeckett #HaroldPinter | http://t.co/qS83Mqca
  • Professional Experience
    05/2012 - Present
    Performing Arts Director, Stage & Film Actor, Mixed Media Artist, Sound Designer, Digital Photographer, Image Editor, Literary Manager/Dramaturg with emphasis on the life & work of both Harold Pinter & Samuel Beckett.http://www.cammroberts.com
    04/2009 - 04/2012
    Performances in 5 WFU Mainstage Productions & 2 WFU Dance Concerts: Emilie: La Marquise Du Chatelet Defends Her Life Tonight (Spring 2012)Eurydice (Spring 2011)The Grapes of Wrath (Spring 2011)Moonchildren (Spring 2010)Sonnets for an Old Century (Fall 2009)WFU Fall Faculty Dance Concert (2010)Nina Lucas & Friends Dance Concert (2010)I was also a member of both the Wake World Comedy Troupe (2009-2012) & the Laugh Tracks Comedy Troupe (2010-2012).
    01/2011 - 02/2012
    In February of 2011, I directed the Anthony Aston Players' (AAP) production of "God of Carnage" (2008) by Yasmina Reza, translated by Christopher Hampton. This production was staged in WFU's Ring Theatre in Scales Fine Arts Center. The Ring is a thrust stage and is usually used as such. However, through a composite of inspiration, commitment, and hard-work from designers, actors, and stage management, this ambitious production was staged very successfully in the round (arena). Last November, I directed Harold Pinter's political drama "Mountain Language" (1988) for my Theatre major requirement. This production was staged in WFU's Ring Theatre in Scales Fine Arts Center, which is a "Thrust".space. Although the rehearsal period was extremely short (aprox. 2-3 weeks), I still could not have asked for a better overall production/rehearsal experience . I attribute this to the superlative cast, the visionary designers, the unwavering support from stage management, my studio series faculty mentor Brook Davis, as well as faculty members Cindy Gendrich, Mary Wayne-Thomas, JERF, and THE 385: Studio Production class. I am very proud to call this production my directorial debut.
    08/2010 - 11/2011
    I have sound designed & engineered a total of 8 WFU productions - 2 faculty directed Mainstage productions & 6 student directed Ring productions:The Imaginary CuckoldThe Brothers Menaechmus Mountain Language Land of the Dead The Man Who Couldn't DanceBreast MenHelter SkelterThe Man Who Turned Into a StickI have also worked as a proficient sound technician for a major musical production at WFU (City of Angels). I have also proven myself to be an apt sound board operator for a student directed full-length production (The Last Day of Judas Iscariot).
    05/2011 - 09/2011
    Title: The Political Dramas of Harold Pinter: Torture & The Totalitarian StateFaculty Mentor: Dr. Cindy Gendrich, WFU Professor of Theatre1.Compiled dramaturgical research on the poetry and dramas of British Nobel Laureate Harold Pinter, especially his work written from 1984 to 2006.2.Gained a better understanding of Pinter's depictions of fear & the effects of physical and psychological forms of torture.3.Used both Hannah Arendt's "The Origins of Totalitarianism" & Elaine Scarry's "The Body in Pain" to gain a better understanding of how Pinter structures language & silence as a means to manipulate dramatic tension & power dynamics amongst characters.
    08/2008 - 05/2011
    I worked for the ZSR's Rare Books/Special Collections & Archives; specifically in the Preservation Department (under Craig Fansler). My responsibilities were to repair and restore damaged books and aged documents.
    08/2008 - 05/2011
    06/2007 - 01/2009
    07/2012
    http://www.effectivearts.com/
    Show All Professional Experiences (10)
  • Educational Background
    2008 - 2012

    Major: TheatreMinor: Englishhttp://www.wfu.edu/

    Extra-activity: Anthony Aston Players (2009-12), AAP Play-Reading Committee (2010-11), AAP Publicity Committee (2010-11), WFU Board of Investigators & Advisors (2009-11), Director of WAKE TV's political talk-show "Too Close To Call" (2008-09)

    N/A - 2012
    2006 - 2008

    During my senior year at NCSSM, I taught an Independent Study Seminar on Film Aesthetics and Cinematography. The seminar met every week for approximately 2.5 hours on Wednesday evenings. Dr. Nicole Sarrocco acted as my faculty mentor. Such films that were viewed, analyzed, and discussed were "The Bandwagon", "Murder on the Orient Express", "Elephant Man", "Unforgiven", etc.http://www.ncssm.edu/

    Extra-activity: Founder & President of the Independent Film Club, NCSSM Orientation Committee, Italian Art & Architecture (mini-term 2008), WWII through Film (mini-term 2007).

    N/A - 2008
    Show All Educational Background (4)
  • Related People
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  • Milestones

    WFU Undergraduate Research Fellowship in the Humanities, 2011Best Overall Ring Theatre Production (God of Carnage), 2011-12Caroline Sandlin Fullerton Excellence in Acting Award, 2010-11A Pen is a Mighty Sword Student Playwriting Competition, 2010Dyeann & Henry Jordan Theatre ScholarshipJunius & Eliza Brown ScholarshipGordon Alexander O'Brien ScholarshipFrank P. Hobgood ScholarshipJimmy Rane Foundation ScholarshipHarold C. Tedford Award (Nominee), 2010-11WFU Commencement Junior Marshall, 2011WFU Dean's List,2008-09

  • Interests
    Directing, Literary Management Consulting, Acting, Creative Writing, Performance Theory, Sound Design, Scenography, Steppenwolf Theatre Company, The National Theatre, Mixed Media Art & Design, Multimedia Performance, Performance Art, Performance & Space of Postmodernism, Contemporary Drama, Theatre between the World Wars, Modernist Poetry, Minimalism, Aesthetics, Social Media, Instructional design, Slideshare, Sylvia Plath, Samuel Beckett, Harold Pinter, T.S. Eliot, Tim Miller, Caryl Churchill, Sam Shepard, Yasmina Reza, Billie Whitelaw, Simon McBurney & Theatre de Complicite, Robert Wilson, Cormac McCarthy, Philip Glass, John Cassavetes, Paul Thomas Anderson
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